on writing

Dec. 10th, 2013 07:02 am
thrihyrne: (fuchsia books)
I'm reading this very-interestingly-written novel by Fiona Maazel titled Last Last Chance, and on page 176 I stumbled across this truism that really hit home for me, as spoken by a recently-deceased character:
    I once heard a writer say that though it's hard to get characters to perform basic functions without feeling like a jackass, it must be done. As he put it, "Even Proust had to open the window."

I've quite consciously in the latter years of my writing made sure that the characters did normal things like eat, go to the bathroom, be aware of time, pick up and put down pens/cigarettes/glasses. I just loved how this character in this novel phrased that.

Just wanted to share! Oh, and the book is quite the read. Maazel's style is quite unlike anything I've read before. Vivid and unexpected turns of phrase and descriptors. A lot of fun to read.
thrihyrne: (fuchsia books)
Names for the Sea: Strangers in Iceland

    Like the author, I went to Iceland 'just because', drawn to its isolation and language and exotic landscape. Sarah Moss' novel about her year spent there teaching right after the economic collapse, as a foreigner in a country where the phone book lists only first names, is eloquent and intimate. Her prose style is accessible and suffused with beautiful turns of phrase without being self-aware. Having gone to Iceland twice myself, I resonated to this novel in a way I've not with any literature in a long time. Moss is a literary marvel, her descriptions vibrant and compelling. Her observations on herself and her environment are candid and often bittersweet; I felt every bit her confidante.


I'm looking forward to trying out her fiction!
thrihyrne: Portland, OR (Fucschia books by me)
I've neglected to mention that I'm listening to/being read to The Heaven Tree, the first in a trilogy by Edith Pargeter. It was recommended to me by [livejournal.com profile] emansil_08 and I feel I should write her a thank you note. It made my 3-hour trip to Williamsburg and back fly by. It's set early in the 1200s in England, then Paris, and now they're heading back again. I've fallen in love with the main protagonist, Harry Talvace. And what's even more wonderful is that I can listen to this, be totally swept into the world, and I'm not comparing my works to hers. I do listen with an editor's ear (afraid I can't undo that), but I'm not thrown into despair. Highly recommended, and devilishly difficult to get as an audiobook without paying. I'm listening to a cassette version which I had to get via interlibrary loan. It's so worth it, though. ♥

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